Showing posts with label wire work. Show all posts
Showing posts with label wire work. Show all posts

Runway Design Reveal

Twisted Crystal Jewelry Set for Beadalon Copyright 2011 Margot and Andrew Potter

A while back I shared a sneak peek of a runway project for a manufacturer and today I'm revealing the whole shebang! This is not for the shy or retiring.  It features huge freeform tendrils organically wrapped with large vintage faux pearls and SWAROVSKI ELEMENTS. I made the necklace and earrings and Drew made the coordinating bracelet.  It was a wonderful, intuitive process. I really didn't want to go into it with relentlessly specific plans, I just started playing with the wire and eventually got to this.  What's great about this thick gauge of wire is that it's much more forgiving and looks fabulous hammered.  I can't wait to see pictures of these on a model!

To make something similar, you need 10 gauge tinned copper Artistic Wire, 22 gauge silver plated German style wire and an array of large and small faux pearls and crystals. Then bend, hammer and wrap to your heart's content! The core of the necklace is Remembrance memory wire, which is perfect for heavier necklaces because it's tempered steel.

xoxo
Madge

Evolution of a Design

Crystal Vine Take One Copyright Margot Potter All Rights Reserved
Crystal Vine Take Two Copyright All Rights Reserved Margot Potter

I created this necklace for one of my design clients. I began with 10 gauge tinned copper wire, hammering and forming it into a simple choker, then added a sprinkling of SWAROVSKI ELEMENTS sew on stones attached with a thinner gauge of wire. (This is the design I'm wearing in the Create Your Style video.) I was really going for something simple, striking and primitive here with a big nod to Alexander Calder's wire jewelry work. Unfortunately the client didn't like the first version and asked me to cover up the wire wraps and the exposed hammered wire at the front of the design. I had to work and rework and rework the piece because it's all secured with tension and has to be wearable or it's pointless. Yes, I can be patient, though it usually involves a smattering of juicy expletives.  The two arms of the thicker wire actually create the tension that secures the necklace around the neck, so the smaller stones had to be out of the way of that action. The large stone had to go, unfortunately, but that gave the design a more curvilinear feel. Honestly, I like both versions, but they're very different. Alas, after the rework and though the client genuinely liked it, they asked me to scrap this one and start over using different techniques and materials.  So...I'll be wearing this at some upcoming events.  This is part of the deal of being a freelance designer, not my favorite part, but one that can't be avoided I'm afraid.

What do you think, the first version, the second version or neither?! What do you think about editing your work? How do your designs evolve?

That's a prompt for you to converse with me! Be not afraid. Oh and, Tune in tomorrow, I've got a giveaway!

Cheers,
Madge

Free Jewelry Making Project #4 from Bead Chic


Steel City Earrings from Bead Chic by Margot Potter ALL RIGHTS RESERVED

I can't believe this is my final free project from Bead Chic! Where does the time go? This one is a little more complex and a little bit funky. You can refine it or make it funkier as you choose. I love the primitive look of annealed iron wire, you can buy it at hardware stores and some places online. It's a little rusty, so you need to clean it before you wear it!

I enjoy bending and shaping wire and the nice thing about a very stiff wire like iron is that it maintains its shape without too much need for work hardening, yet it takes to being hammered beautifully. These earrings are made from three artfully bent wire segments that swing and sway separately from one another. I added freshwater pearls suspended in some organic wire wrapping with a thin gauge of silver plated wire. These, to me, have a Sundance Catalog appeal.

In fact...when I pitched this book here is how I summed it up:

Banana Republic and Sundance Catalog have a latte at Starbucks.

Chic, modern, upscale with just a little edge!

The variation for this project is created by the lovely Ms. Barbe Saint-John. You'll have to buy the book to get the step by step photos and to see Barbe's gorgeous earrings. You can also leave a comment here to win the last free signed copy of the book!

xoxo
Madge

Bead Chic
Steel City Earrings
Chapter One
Scale



Materials
2 8mm faceted cream freshwater pearls
24 gauge silver plated wire
20 gauge annealed iron wire
Gun metal French clips

Tools
Chasing hammer
Mini anvil
Large round dowel (I used a large marker)
Small dowel (I used a metal end of a rat tail comb)
Memory wire shears
Round nose pliers
Chain nose pliers
Wire cutters

Tip: Play with the wire to get a feel for it, different wires have different levels of malleability. These do not have to be perfect...so don’t sweat it if they aren’t!

1. Cut a 3” segment of steel wire using your memory wire shears.

2. Bend the center around a large marker.

3. Hammer the ‘u’ section flat using the flat end of your chasing hammer.

4. Cut a 1 2/8” section of wire and use the tip of your round nose pliers to create a very small loop in both ends.

5. Cut a 1 ¼” section of wire and bend it over the metal end of a rat tail comb.

6. Use your round nose pliers to create a loop in both wire ends.

7. Wrap a 24 gauge wire tightly to one side of the top section of your ‘u’ shaped component as in photo moving the wire down the core.

8. Wrap wire around core in a free form manner.

9. Thread a pearl on end of wire.

10. Thread wire around opposite side tightly and wrap remaining wire moving up the core in a freeform manner as before.

11. Cut off excess wire and use chain nose pliers to tuck your wire tails in.

12. Connect your segments together as follows: Attach the ‘v’ shaped component to the loops on the end of your bar component. Attach the ‘u’ shaped component to the bar. The loops should all face backwards so the components can swing freely when worn.

13. Attach your ear wires to the top of each ‘v’ section.

The Evolution of a Jewelry Design

Almost...but not quite...take one...La Cage Prototype One (Before) Copyright Margot Potter 2009
La Cage (final) Copyright Margot Potter 2009

Incognito First Strand Copyright Margot Potter

Yesterday I started working on some 'in-use' designs. These are designs created for manufacturers that showcase their products in innovative and interesting ways. This work isn't easy because there are perameters and limitations you have to navigate. I've been working with architectural and sculptural wire designs for many years. My brain likes to think dimensionally, which is why I should really study casting and soldering and jewelry making techniques that would allow me to fully expand on that tendency. For now, I spent a lot of time making wire do what it doesn't want to do naturally and making a lot of glorious messes in the process.

There is value in those glorious messes, because that's where my brain is formulating new pathways. I began with a series of woven wire bits and pieces working on some ideas I had for dimensional designs and eventually I created this pendant, which I really like. It's basically a concave 'cage' in which I've suspended the new
CRYSTALLIZED-Swarovski Elements disk. It's created from a single core wire wrapped with a thinner gauge of binding wire and crystals. After I finished the pendant I needed to create a foundation. I began with this intuitive beaded design and realized when it was finished that...it wasn't quite gelling. So I put it out there for other folks to see and got some great feedback. In the meantime I began reworking the foundation and came up with this.

I hammered some of the metal components and left others shiny. I created a small hook with the same wire I used in the pendant. I really like how the foundation supports the pendant without detracting from it. Everything leads the eye towards center and this looks really fabulous on a neck.

I know that seems sort of silly to state, but I can't tell you how many times I've created something I think is awesome and then tried it on and realized it didn't work on a body. It's a really good idea to try on your designs or throw them on a jewelry form as you're working just to be sure they're wearable.

I'm using the core beaded necklace for a multi-strand idea. (Forgive the lighting, it's dismal here today and I had a heckuva time getting decent shots!) I added a little felt flower from ArtGirlz I embellished with a sequin and a crystal on a head pin. I'm seeing chains and exposed wire strands layering down from this top strand in a bib effect. I'll show you the final result when I get there.

Back to the bead mines!

xoxo
Madge